Wednesday, June 30, 2010

METAL MAGAZINE: Issue 20 Cover Editorial



METAL's 4th Anniversary Issue is about to hit newsstands in the U.S., check out the cover editorial featuring model Meghan Collison, in which I assisted Senior Editor and stylist Angela Esteban Librero.

Photographer: San Sierra
Art direction: San Sierra & Cesar León
Stylist: Angela Esteban Librero
Make up: Chiho Omae using Sephora
Hair: Shinichi Arima
Production: Cesar León
Set design: Heather Feather,
Courtnay Saunders and Suzanne Arrow
Photography assistant: Manfredi Giaccochini
Stylist assistants: Carolyn Brennan,
Kei Furuichi & Abdoul Diallo
Lighting assistant: Mathew Margolin
Production assistant: Diego Aguirre
Model: Meghan Collison @ Next














Sunday, March 21, 2010

NEW YORK FASHION WEEK A/W 2010/11 MENSWEAR


FROM WWW.REVISTAMETAL.COM:


Once a week solely devoted to what women want to wear, New York Fashion Week has seen a great increase of men’s shows in the past few seasons –and it’s something this city should be proud of. This was also a season of “seconds” for many designers: womenswear designer Maria Cornejo offered her second season of men’s clothing, and Siki Im, Petrou\Man and In Aisce showed their second ever collections to date. The following designers are those who caught our eye during a very hectic, crazy fashion week. Get to know your new favorite menswear designers.


PETROU\MAN
The Central Saint Martin’s graduate has previously dabbled in womenswear as the creative director of Dennis Basso, as well as running his own line. But from the looks of his second menswear collection for Petrou\Man, Petrou is clearly going places with his offbeat, macabre visions. The designer combines elements of classic tailoring with sportswear fabrics and unconventional detailing. Citing the travels of nomads as the inspiration behind this season, Petrou played with various textures and patterns, including hand dyed tartan jackets, metallic suiting, feathered headpieces and trousers tie dyed in shades of black, white and blue. A jacket covered in over seven thousand safety pins is the perfect pick for Petrou’s modern day warrior on the move. (Styling: Robbie Spencer (Menswear Fashion Editor Dazed & Confused), hair: Duffy, makeup: Maki Ryoke, sets: Robert Sumrell, music: Michael Magnan, photos: Fumi Nagasaka)


ROBERT GELLER

Downtown rock and roller met Upper East Side dandy at Robert Geller’s Autumn/Winter show. The CFDA award-winning German designer first stepped onto the fashion scene in 2002 with his cult label Cloak, and he hasn’t looked back since. Geller’s men stormed the runway to a roaring soundtrack of ‘70s rock outfitted in elegant wool capes, shredded black denim, slick leather jackets and the designer’s signature striped wool blazers and trousers. Luxurious touches were added with silk scarves and fur vests and shawls made from the wool of Japanese mountain goats. Always dark and romantic, Geller’s collection was fully realized and simply stunning.
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SIKI IM

For his sophomore menswear presentation titled “New Era,” the Ecco Domani prizewinner and former senior designer of Helmut Lang cleverly arranged his models throughout a maze of trashed office cubicles, and included a live show by the band Sick Fix. This was not a typical day on Wall Street, and in our opinion Siki’s hand tailored menswear runs circles around the average businessman’s stodgy suiting. The collection featured sharp made to measure blazers, kimono-like overcoats and skirts in both knee and floor lengths. The clean looks were accessorized with leather straps, knee socks and knit scarves that transformed into sleeves. Hats constructed from newspaper were an appropriate finishing touch.
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RAD HOURANI

Rad Hourani continued his dark reign over New York Fashion Week with another bad to the bone runway show of androgynous models cloaked from head to toe in black. Inspired by the process of transformation, the self-taught Canadian designer created unisex pieces that could be worn in a multitude of ways. There were knit cardigans with detachable sleeves and rectangular leather jackets that transformed into capes, skirts and various other looks. One magical jacket could apparently be worn twelve different ways: an economical feat indeed. Other looks included patent leather pants and vests, jackets with attached backpacks, skintight strap covered leather pants— and zippers, zippers everywhere. The gothy black-clad audience salivated over each and every striking silhouette.
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IN AISCE

In Aisce (pronounced “in aska”) is a promising young label in its second season, created by Brooklyn based designer, Jona. A dichotomy between precision tailoring and rough, deconstructed garments, In Aisce is growing and developing into new territories. For his fall collection called Grey Heart Leaking, Jona decided to look to the arduous years of the American Civil War for reference. A classic 1800s cutaway style blazer was a beautiful standout piece, as well as a slim black tailored overcoat and an impeccably crafted hooded leather jacket. Other looks included a pair of white button fly overalls, elbow length shearling fingerless gloves and an intimidating wide brimmed leather hat.

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ZERO + MARIA CORNEJO
Cornejo’s androgynous female looks translate well into menswear, which she debuted last season. Always an exercise in architectural minimalism, the Chilean-born designer looked to “the darkness of Europe” for her Autumn/Winter collection. With a palette of charcoal gray, black and dark brown, Cornejo’s men were simple yet sophisticated in boxy wool overcoats, slouchy tapered trousers and fedoras. One model sported a comfy gray cape over brown leather jacket and pants, while another was outfitted in a black and white tartan jacket and hood combination. Very clean and very minimal, Cornejo’s vision is one we want to continue seeing.

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ODYN VOVK
Austin Sherbanko of Odyn Vovk (Ukrainian for “one wolf”) offered an array of gothic garments with grungy appeal for his “Three Fold Path” collection. There were cropped distressed trousers, several black ribbed capes and a beautiful ochre-colored leather jacket with a diagonal zipper running from the shoulder to the waist. As usual, Sherbanko threw in several women’s looks for good measure —and despite sending a topless model down the runway last season— this time Sherbanko outfitted his lady in cropped fur jacket layered over a black hooded cape, and an asymmetrically cut and draped overcoat with origami-like folds. The feeling was dark and moody, and the cool kids were eating it all up.

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YIGAL AZROUEL
Yigal Azrouel has been steadily building his menswear repertoire in the last few seasons after first showing men’s clothing for Autumn/Winter 2007. The designer’s first look was a wool charcoal suit with black leather sleeves, soon followed by a model in slim black trousers and a leather tee with cotton sleeves. The designer continued this sleeve trend with a seemingly Rick Owens/Gareth Pugh inspired wool overcoat with attached metallic leather sleeves. Other looks included slim fitting leather jackets, a charcoal cardigan with offset buttons, turtlenecks and one very unfortunate looking pair of fair isle long johns with a cod piece fly that we could have done without.

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PATRIK ERVELL
With a collection full of ponchos, macs and translucent raincoats, Patrik Ervell’s models were ready to take on some seriously stormy weather. The show opened with a cropped blue belted mac and slim gray trousers, followed by models with windswept hair outfitted in a translucent yellow rubber raincoats and slightly nerdy office get-ups. There were clean-cut suits in shades of navy and gray, backpacks, cropped jackets and lots of synthetic outerwear. Ervell’s minimalist, utilitarian aesthetic will likely serve him and his customers well in the new decade.

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BILLY REID
Southern dandy is what comes to mind when describing Billy Reid’s A/W 2010 collection. This year’s CFDA award winning designer presented clothing fit for country cousins and sophisticated urban dwellers alike. Models tramped through fog and leaves in a winter forest setting, outfitted in warm wooly knits, boxy jackets and plenty of plaid. The first model sported an oatmeal hued tweed suit, chambray button down and striped tie, while another model strolled by in a brown, black and red plaid suit and suspenders. Reid’s collection may not be breaking new ground, but its simple and comfortable and the guys want to wear it.

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G-STAR
G-STAR’S extravagant runway show at the Hammerstein Ballroom was all about bright colors and exaggerated detailing. Large, hulking models stomped down the runway in neon yellow overcoats, rain jackets, vests, and of course, denim (though not as much as one would expect). One model wore tan baggy overalls paired with a chunky yellow knit turtleneck, while another sported patchwork jeans and a Big Bird-esque yellow cape. The bright yellow hues soon shifted into shades of neon blue and green, keeping up the brand’s extreme nature with large funnel necks, outlined pockets and metallic denim.

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BESPOKEN
Originally inspired by the classic British clothier Turnbull and Asser, Bespoken adds a modern twist when creating its menswear collections —and there was definitely a British rocker vibe going on at the label’s A/W presentation. Models were dressed in slim fitting single-breasted jackets and trousers, a gray tweed vest and pants, a black corduroy jacket and accessories including bowties, suspenders and fedoras. A red and black buffalo plaid shawl collared blazer was a crowd pleaser, as well as a luxurious black leather jacket.

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Wednesday, March 17, 2010

VNFOLD MAGAZINE: ESPRIT DU TEMPS


The second issue of VNFOLD Magazine is out, and I assisted with the styling of the cover shoot. Check it out here: http://www.vnfold.com/fashion/145

Photographer: Julia Soler www.juliasoler.com
Stylist: Angela Esteban Librero www.aestebanlibrero.com
Art Direction/Props: Zahara Gallardo & Lucia Martinez
Model: Lauren Brown at Elite Models NYC
Makeup: Fumiaki Nakagawa for Mac Cosmetics
Hair: Nelson Vercher for Redken/Rita Hazan Salon NY
Photo Assistant: Emma Hopson
Stylist Assistant: Carolyn Brennan

Saturday, March 6, 2010

KATIE GALLAGHER A/W 10-11

Dazed Digital.com-- Katie Gallagher’s mystical presentation at Soho Grand takes us into “the heart of the woods.”

Text by Carolyn Brennan Photography by Chris Reed | Published 17 February 2010

http://www.dazeddigital.com/Fashion/article/6629/1/Katie_Gallagher_AW_1011


The mood backstage at Katie Gallagher was lighthearted as models gathered around a table filled with candy hearts and other sweets. “No smiling… act like lost cats!” read a nearby poster. Despite last minute complications involving a no-show model, Katie was cool, calm and collected- and ready to put on a breathtaking presentation. With only one previous fashion week presentation to date, the young RISD educated designer has already made a name for herself with her dark, ethereal designs.

With their big teased hair, appliquéd fingernails and dramatic cat-like eye makeup inspired by Katie’s own look, the models were transformed into beautiful woodland nymphs. The icy color palette included winter white, pale pinks, neutrals, grays and black. At show time the girls drifted into the room outfitted in sheer silk tops and dresses with cut out backs, futuristic leather jackets, zipper front skinny trousers and translucent leggings with geometric panels. A long white leather jacket with a large halo-esque hood was a definite standout, although Katie’s entire collection is sure to be coveted by free-spirited fashionistas.

Dazed Digital: What was the inspiration behind this collection?
Katie Gallagher:
It started mainly with a painting that it did. I usually do paintings and drawings, so they inspire everything that make. It was a landscape full of pastels: greens, pinks, grays and whites.

DD: How are you styling the hair and makeup?
KG:
The hair and makeup is like an extreme version of me: the big hair, the lines on the eyes. The faces are pretty pale, but not as white as last season. It’s more pure, just kind of whitening the models’ natural skin tones. As for the hair, we wanted it to be pretty big with lots of teasing. Because I’m doing a hood, we wanted it to look like a halo around the hair.

DD: I love your dark, gothic aesthetic. How have you developed it since last season?
KG:
I don’t really consider it gothic; I usually just make what I would want to wear. I try to transform my two-dimensional drawings into 3-D. Right now I’m wearing most of my own clothing from my last collection.

DD: What designers are you most inspired by?
KG:
Right now I really love a lot of Japanese tailoring, so I love Comme des Garçons, Rei is one of my favorites. And I always like Balenciaga.

DD: What made you want to become part of the fashion industry?
KG: I don’t know… I didn’t really know I would end up being in the fashion industry. I didn’t go to school to be in fashion, I went for painting. At RISD you do four years and the first year is foundation, so you have to decide during freshman year what you want to do. And I was always like, “painting, painting… or maybe I’ll do sculpture,” and then I became interested in apparel because I wanted to learn a new skill. I decided that I didn’t want to sit around in a studio and wait around to have someone tell me how to paint, because I already know how to paint. I just wanted to learn how to make clothing, and I just went from there.

ROBERT GELLER A/W 10-11

Dazed Digital.com-- The CFDA award-winning menswear designer pulls off another dark and romantic show.

Text by Carolyn Brennan Photography by Chris Reed | Published 14 February 2010

http://www.dazeddigital.com/Fashion/article/6550/1/Robert_Geller_AW_10-11


With his latest collection
Robert Geller has really stepped out on his own. Much admired for his work at the influential cult label Cloak, the designer is carving out new territory and exploring a mix between downtown rocker cool and uptown sophistication. The show opened with a duo of fair-isle knits, and was soon followed by Geller’s signature striped suiting in rich shades of azure and plum. A model outfitted in a sleek black leather jacket paired with dusty blue lounge pants was accessorized with a thick distressed wool scarf and a bowler hat perched on top of his head. The hats and suede boots were done in collaboration with Common Projects.

Other looks included dramatic wool capes, black shredded denim, leather “puffy” jackets, and a black and denim blazer paired with an indigo tuxedo jean: a new take on the Canadian tuxedo. Wide legged shorts in the vein of Yohji Yamamoto and luxurious fur vests and scarves were also a fun surprise. And that’s what Geller does best– he’s a dedicated designer who just wants to have fun.

Dazed Digital: Congratulations! How are you feeling?
Robert Geller: I’m feeling really good, I’m exhausted but I’m happy. I’m ready to have a good time. I feel relieved– I guess that’s the best way to describe it.

DD:
What was the inspiration behind this collection?
Robert Geller:
I really wanted to marry upscale, uptown luxury with an indie rocker vibe. There’s a little bit of arrogance, but in the end it’s really cool because it’s such a nice mix of the downtown guy playing with the elements of old school suiting.

DD: I really liked all of the fur that you used.
Robert Geller:
Actually it was all goats’ wool– there are apparently hundreds of different kinds of goats. The ones we used were Japanese mountain goats.

DD:
How do you feel your collection has evolved from its inception? Robert Geller: I think in the last three or four seasons it’s become much clearer of what I am on my own. It’s also me stepping away from Cloak, which is something that exists already; I didn’t want to do that again. It’s becoming much clearer in my head about what the Robert Geller brand is, and who the customer is. You have an idea, but you don’t really know until you see people wearing the clothes.

DD:
Music is really important to you, how do you decide on the music for the shows? Tonight you used a song by Denim, a rock band from the '70s.
Robert Geller: We work with Scott Mou– he’s an old friend of mine. We’ve been working together since way back. We sit together and I explain to him what the collection is about and then we talk about music and put together a playlist.

DD: You attended Rhode Island School of Design, but what first influenced you to want to become part of the fashion industry?
Robert Geller: It was the Belgians, it really was. It was the old Raf Simons back in the day– not that he doesn’t make good menswear today– but I really, really loved it back then, that was a big inspiration for me. Also, Ann Demeulemeester and the whole Belgian aesthetic in general. But Yohji Yamamoto and Comme des Garcons too.

THREEASFOUR A/W 10-11

Dazed Digital.com-- The avant-garde trio present an electrifying show inspired by the science of alchemy.

Text by Carolyn Brennan Photography by Shawn Brackbill | Published 17 February 2010

http://www.dazeddigital.com/Fashion/gallery/34/6633/52/Three_As_Four_AW_10-11


The basis of the designers’ abstract Autumn/Winter 2010 collection was the seven metals of alchemy and the planets that control them: the first being “lead dominated by Saturn” followed by “silver dominated by the moon,” and other metals including iron, copper and tin. As the show began, the models marched onto the runway through a cloud of smoke and took their places in a circle around a painted alchemical star on the floor.
The first look was a long asymmetric black wool coat with a tall leather collar guarding the model’s face. It was followed by a luxurious leather jacket with a curved front zipper, and several dresses made out of winding rope in shades of copper, metallic blue and black. These body conscious dresses seemed to take on lives of their own as they encircled each model like ivy clinging to a tree. Other looks included flowing silk capes and leggings with sheer curvy cutouts. The collection was a true study of the female form as fabrics mimicked and mirrored the shapes of the models’ bodies.

Dazed Digital: What was the inspiration behind this season?
Gabriel Asfour: Alchemy and metals.
Adi Gil: Each metal has a planet that dominates the metal. For instance, gold is ruled by the sun, silver is ruled by the moon, and mercury by mercury.
Angela Donhauser: And the music we played was Tomita’s Clair de Lune / Snowflakes are Dancing.

DD: How are the three of you able to work together to achieve a common vision? Do you ever have disagreements?
GA: All the time!
AG: We still ask ourselves how do we do it, but we somehow do.
GA: And we know that it’s just clothing.
AD: I think it’s meant to be, we all love each other and support each other… it’s like a snowman! (laughs) We’re a little family.

DD: I loved the way you styled the hair and makeup, and how you used netting over the models’ faces. How did you decide upon it?
AG: I think it takes awhile, I cannot really describe how, but we wanted to do something wavy with the hair that would work with the curving lines of the clothing.

DD: What were the fabrics that you used?
GA: A lot of leather, wool, silks, chiffons.
AD: And a lot of rope!

RAD HOURANI A/W 10-11

Dazed Digital.com-- The Canadian born, Paris based designer shows off a slick, sexy collection that’s more than meets the eye.

Text by Carolyn Brennan Photography by Mark Reay | Published 17 February 2010

http://www.dazeddigital.com/Fashion/article/6615/1/Rad_Hourani_AW_10-11


Thanks to his razor sharp aesthetic and bondage inspired style, in several short seasons
Rad Hourani has garnered quite a cult following in New York and beyond. The designer’s army of darkness stormed the runway to the suspenseful tones of “Black Planet” by The Sisters of Mercy. There were dramatic capes, jackets with attached backpacks and the designer’s signature draped jackets and strap front leather pants. The most important theme of the collection was transformation: Hourani created many pieces that could be folded like origami into completely different looks. Though his price points are still sky high, Hourani’s fashion resourcefulness is just what we need in this economic climate.

Dazed Digital: What was the starting point for this collection?
Rad Hourani: The starting point was all about transformation, and about creating pieces that are unisex. With these pieces you can create both masculine looks and feminine looks, or you can create tough looks or sensual looks. It’s about making it your own way, and making it go with the mood that you are feeling each day– whether it be masculine, feminine or unisex. I was able to take one jacket and create many different shapes with it. For instance, the cape that you see on one guy is also transformed into a different jacket on another girl. It’s also worn as a skirt on another model. So we have around 12 different ways of wearing one item.

DD: I really liked all of the knits that you did, and how they obscured the models’ faces.
Rad Hourani:
Yes, the silk cotton knits– these knits are transformable too. You can wear them as a skirt, or as a scarf or cape. With the knit cardigan you can take off the sleeve, turn it into a scarf, or you can wear it just as a vest or even as a skirt. So my collection is all about transformation and creating completely new silhouettes.

DD: How do you feel your collection has developed from the previous season?
Rad Hourani:
I don’t really think about it that way. I think more about continuation from the last season. It’s things that I’ve wanted to do in the past but never had time to do. So I think the development will be how the pieces are able to transform, and you can take it very far. We had ten jackets, and with these ten jackets you can wear them 26 different ways.

DD: How did you decide upon the styling of the hair and makeup?
Rad Hourani:
I wanted to do something timeless and unisex, in a way that isn’t trendy or the look of the moment. It’s all about slick silhouettes and models that look very modern. I don’t like references to the past. I don’t want someone to say, “Oh its ‘70s or ‘60s or ‘80s.” I wanted the models to look fresh and clean and completely timeless. And it’s all about the clothes. It’s not really about the hair and makeup for me because I want the clothes to stand out. But at the same time, you still have to apply perfect makeup and have flawless foundation, and that’s why I like working with MAC. They have the best products for these kinds of things.

DD: What’s your advice for young designers just starting out in the industry?

Rad Hourani: It’s important to always have a clear vision of what you want to do. It’s not about just creating a collection. Creating a collection takes so much time and if you want to do it right, it takes so much energy and effort. You have to be very passionate about what you’re doing. If you want to be a designer, you must be real to your vision and have faith in what you believe in… and you need to work really, really hard (laughs). It’s not easy. But if you put all of your energy and love into it, you will get somewhere. It’s all about believing in your vision and believing in yourself. And remember to think about what you want to wear, because that’s the most important thing.